https://www.Sweetwater.com/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o. Best mics for budget filmmaking and video production, 7 Best Headworn Mics for Wireless Systems Review. This website is using a security service to protect itself from online attacks. They even look similar, with tapered handles and squareish divided metal grilles. All you need to know about wireless microphones. Theres still a noticeable proximity when youre right on the grille, and here plosives still creep in, but nevertheless, for terms of ease of use, youre getting a much more predictable, consistent sound in a variety of positions. Sweetwater Sound, 5501 U.S. Hwy 30 W, Fort Wayne, IN 46818 Get Directions | Phone Hours | Store Hours, If you have any questions, please call us at (800) 222-4700. In this blog post, we will discuss the comparison between Neumann kms 105 vs Shure KSM9, which one is best for you and why should you buy it. Achieving the sound quality demanded by elite performers and venues no longer requires sacrificing the rugged reliability of a dynamic microphone. . By achieving greater output level while minimizing proximity effect to an unmatched degree, the microphone provides a clean, richly detailed signal with minimal feedback. Enter the KSM9, a new handheld condenser microphone developed for high end live sound usage. The user should not attempt to remove or replace this lining. Additionally, the KSM9 has a built-in shock mount that helps to reduce noise from vibration, making it ideal for use with high-end instruments. The idea is that sounds from the rear take the same amount of time to reach the rear of the diaphragm through the labyrinth as they do to pass around the outside of the microphone and impact on the front of the diaphragm. Condenser mics are a great choice for stage use as long as they have been designed specifically for live use. Re: Shure Beta 87c Vs. KSM9. Handling noise is extremely low and never gave any problems, even when I was deliberately trying to be clumsy! More videos like Shure KSM8 vs. KSM9 | Whats the Difference? Naturally, the latter influences the price greatly, and the KSM8 is consequently the most expensive moving-coil stage mic currently on the market. This microphonecan give a colossal improvement to your vocal and it actually deserves every dollar spent. The Shure KSM8 is a dual-diaphragm cardioid dynamic mic designed primarily for vocal performance. Thank you for your request. The KMS 105 also has a very high audio quality, making it perfect for professional recordings. The KSM8 is not necessarily an upgrade. I think its fair to say, condenser mics are generally most at home in the recording studio. He said the idea for the KSM8 came out of what Shure had learnt while building the KSM9 handheld condenser: "We knew from the KSM9 that if we could get a second diaphragm into the cartridge, we could use it as part of the acoustic network to control proximity effect. The output of these capsules is manipulated electronically to support two pickup patterns . 3.7 out of 5. Performance & security by Cloudflare. Consistent with legendary Shure microphone innovation, the KSM9 is the first handheld condenser with dual diaphragms and variable polar patterns. 965 seriously cuts through the muddiness very crisp high end. I work with a female vocalist who is looking to upgrade her microphone. This can really work well for folk, jazz and classical styles. Dynamic mics are particularly suited to live and stage use. The younger sibling of the KSM9 is the Shure KSM8. But theres one major difference between these two mics. As a condenser mic, the Shure KSM9 requires phantom power. The new technology allows for cleaner, more natural, and more prevalent vocals, especially when on stage with other instruments. The capsule technology inside the KSM8 has been christened Dualdyne, in keeping with their familiar Unidyne product range terminology and in obvious reference to the use of two diaphragms. Switchable cardioid and super-cardioid patterns. It is also a great option for those who are looking for a microphone that is durable and easy to use. . It offers a natural, open sound, with a very balanced low-end, beautifully smoothmidrange and brillianthighs. However, the proximity effect is not the only aspect of the capsules behaviour that is changed by the addition of a rear passive diaphragm. But the Shures smaller dual diaphragm design may give it the edge when it comes to a natural, clear and authentic sound. The "C" version is the best of the 87 lot for female vocals in my experience and I think the KSM9 is a huge improvement over it. Shure KSM8 Shop now at Amazon. SM7b is unique though, so dont expect you can get the exact same performance from another handheld. This helps maintain richness and definition in the bass, without it becoming overwhelming. Both the SM57 and SM58 are favoured for their workhorse-like reliability and durability. On the other hand, condenser mics are less sonically limited than dynamics, and can deliver a lot of detail and clarity. Beginning with a simple and sturdy design (and in a handsome matte black), the KSM8 Dualdyne is the world's first dual diaphragm dynamic vocal microphone, a design that eliminates the emcee mic-cupping . KSM8 Dualdyne Dynamic Handheld Vocal Microphone from Shure is a dual-diaphragm dynamic microphone crafted for vocal reproduction and sound-reinforcement in live performances and top-tier professional venues. AKG C414 The Ultimate Comparison: XLS vs XLII vs B-ULS vs EB, Re: The Behringer Keyboards 'n' Stuff Thread #3, Re: Mic Question M300 vs MKH 8040 or alternative. In practical terms, working the microphone in the normal way exhibits a far more consistent and balanced sound than would be experienced with, say, an SM58, which can go from distinctly boomy to noticeably thin with only the smallest of positional changes. The high end of the voice comes over with a smooth, neutral aspect, free from the almost resonant peakiness that most stage vocal mics deliver. . A strong presence peak centered around 4 to 5 kHz is used to counteract the increased bass. They call it a three-stage grille or simply triple grille. I'm somewhat unfamiliar with the Sennheiser line of microphones. Firstly, good live condenser mics, such as the KSM9 have internal shock mounts. How careful do you have to be in handling? 0:00 Intro But this mic is well constructed, and perfect for live performances which require that superior condenser sound. What is the output level difference between Shures Beta 87A and SM58? I cant hide my enthusiasm about the Shure KSM9 its a great live mic. This means theyre prone to overload and distortion from louder singers. This makes them very different types of mic, each with their own internal circuitry. The cardioid capacitor microphone was conceived in 1935 by Dr Hans Joachim von Braunmhl and Dr Walter Weber, both working for the Reichsrundfunk Gesellschaft (RRG Electroacoustic Laboratories) in Germany during the early 1930s. This dual-diaphragm cartridge delivers greater consistency across the frequency spectrum as the distance between the microphone and the source changes. The KSM9 is a premium vocal condenser microphone that captures vocal subtlety with extraordinary detail to deliver clear articulation, functional flexibility, and precise vocal reproduction for live performance. As low as $62/mo. Save my name, email, and website in this browser for the next time I comment. Shure KSM9 vs Sennheiser E965 for Vocals. In the studio, a cardioid mic is probably all you need in a well-isolated vocal booth. OK, thats a very bold marketing claim, but actually, I dont think theyve over-hyped it. You can easily make one of these out of stockings, or buy one here. It has a cardioid pickup pattern, which means that it picks up sound from in front of the mic and rejects sound from the sides and rear. The KSM8 is Shure's dual diaphragm dynamic, and as such not a condenser. For a more natural, balanced sound, hold the mic between 5 and 10 cm away from your mouth. Having used them both extensively with flat EQ no compression and no effects here is my 2cents on these mics. At the low end, a small amount of proximity effect is apparent if the source is closer than about 25mm (one inch), but between 25-75mm (one to three inches) the response is well balanced and very consistent. However, the weight of the coil limits how responsive the mic can be, and it tends to struggle to replicate high frequencies and dynamic detail. Are there any favorites on the Sennheiser end of things? The mechanical design of the KSM8 offers advancements that benefit the performance and aesthetics of the microphone. 1.93 in. A dynamic microphone process sound waves mechanically whereas a condenser microphone does so electronically. This is, of course, complete nonsense: new developments are still appearing quite regularly, bringing substantial improvements in quality and accuracy, reliability or manufacturing costs. Both mics respond exceptionally well to lead vocals, with each having its subtle nuances and flavorings that are sure to deliver the goods in many different applications hear it for yourself . The Shure KSM9 is a higher-end microphone that is known for its clear sound quality. Go for the shorter lengths where possible. Just make sure to point it where you want to and it will do the rest. Ultimately they often sound better. As mics go, Shures SM series are about as reliable and predictable as it gets, and so we were expecting a similar sound and behaviour from the KSM8. MA 02210. Now is the perfect time to get the gear you want with simple, promotional financing. She owns a EW 115, perhaps I could just upgrade the capsule? If you want the best quality XLR cables, try these. In fact, for close sources, as the signal frequency reduces, the dual-diaphragm capsule behaves less and less like a directional pressure-gradient device, and more and more like an omnidirectional pressure-operated device. You are using an out of date browser. So far, so conventional except that the active diaphragm is also stabilised by a series of (patent-pending) sound-diffracting plates positioned directly above it. The Shure KSM9 is a great choice as a live mic. 531 171. SM86 is Shure's best compromise. This mic has all the detail and nuance that youd expect from a studio condenser. DUAL DIAPHRAGM TECH. The last mic in our guide is the absolute gold-standard option when it comes to world-class live vocal capture - the KSM9. England and Wales company registration number 2008885. 3:26 What We Heard In Summary. Essential is part of Professional vocalists are always repositioning their mics to change the tone and add expression to their performance. If you experiment you may find you prefer the sound of one over the other, though the differences are quite small. . A25E. KSM9 picks up too much stage wash. AE5400, KSM9, VX10, and PR22 do as well. Shures Dualdyne capsule is housed in a brand new aluminium handle, which is similar in shape and size to the KSM9 condenser stage. SHURE KSM9/CGShure118800! Its priced for pro users, but the KSM8 is a beauty of a mic that ditches the all-rounder status in favour of vocal live performance and reinforcement duties. https://imp.i114863.net/b3emR60:00 - Intro1:12 - Shure KSM8 Only1:41 - Shure KSM9 Only2:11 - Shure KSM8 Only2:33 - Shure KSM9 Only2:46 - Shure KSM8 Only3:06 - Shure KSM9 Only3:26 - What We Heard5:52 - Thanks for Watching! At the rear of the diaphragm the acoustic combination of these separate signals with altered phases and amplitudes results in an accurate cardioid polar pattern with a greatly reduced proximity effect. In my opinion, if budget allows, stretch to a KSM9. On vocals and speech, although the level changes, you get very similar frequency response from a couple of inches up to about a foot. A premium-range handheld condenser vocal mic with a clear and authentic sound. Most studio condenser mics are far more sensitive than dynamic mics, which can cause problems in live performance. In essence, this system guides sound of different frequencies to the rear of the capsule through three or four separate entry ports spaced along the length of the mic body, each incorporating frequency-selective damping. This ensures a smooth transfer of the signal from the microphone to the pre-amp, without any loss of signal quality. Despite being a condenser, the design is well adapted to gigging. This is wider than most handheld dynamic mics, and is one of the main perks of using a condenser mic. MaonoCaster E2 (AME2) review - production audio interface for streamers. All rights reserved. By using the second diaphragm in the resistance network low frequencies are partially blocked from entering the cartridge resulting in a natural, low-end response with controlled proximity effect and no loss in clarity. 5 () This compliance is completely absent in a single-diaphragm cardioid capsule, of course. With over 28,000 articles and counting, inSync is your FREE resource for breaking news, reviews, demos, interviews, and more. Aside from its precious, gold layered, low mass diaphragm, KSM9 uses first class electric components for its preamplifier circuit. Over 90 years of audio experience has contributed to making this one of the finest microphones available. Shure KSM9. It has a warm sound that is perfect for female vocals or mellow tracks. to maximise the magnetic field in a very small space and thus ensure an acceptable electrical output level. Did you mean the KSM9? The KSM8 has many unique design quirks to reduce plosives and the proximity effect, and enable a smooth natural sound. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. Win a TB-03 and TR-06 from Roland. And lets hope youre not positioned next to the drum kit! Usefully, and for related reasons, the mics susceptibility to plosive popping is also dramatically reduced as an added bonus! Condenser mics are more often found in the studio, where they have the ability to capture small dynamic changes and high-frequency detail. At a similar price, therere many comparisons to be made between the 105 and the KSM9. The switchable polar pattern means its versatile, and can easily adapt to your situation. But there are some differences. This helps to achievean extremely fast transient responseand make the sound more vivid. Given all the limitations of live performance, this mic really is impressively close to the natural sound of the human voice. Sound enters the microphone via the side entry inlets and passes through the rear second diaphragm before striking the front diaphragm. Taken all together, these attributes should combine to make the KSM8 a joy to work with on stage, minimising the need for aggressive EQ or dynamic manipulation. All in all, the KSM9 offers a very happy medium. Reviewed by: Paul NarangReview date: October 2022Current price: Around $500. Web site designed & maintained by PB Associates & SOS. Ultimately the Shure KSM9 and Sennheiser E965 are two very similar microphones. Less spiky in the high mids, which means it sounds a lot better soloed, but doesn't sound as up front with a band. She will be using IEM with this mic. The chart is fairly even, with no big peaks or troughs apart from a little dip around 7kHz. Free Shipping. Our web address is www.shure.com. https://www.youtube.com/playlist?list=PLlczpwSXEOyatBLoJPWeG2U8OUFx9AFC0, Shop Shure KSM8 Dualdyne Cardioid Dynamic Vocal Microphone at Sweetwater https://www.sweetwater.com/store/detail/KSM8Nshure-ksm8-dualdyne-nickel/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o, Shop Shure KSM9 Dual-Pattern Condenser Handheld Vocal Microphone at Sweetwater https://www.sweetwater.com/store/detail/KSM9CGshure-ksm9-handheld-condenser-microphone-charcoal-gray/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o, If youre wondering what video gear we use, check it out https://www.sweetwater.com/shop/general-gear-used-to-make-sweetwater-videos/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o. I think the Shure is a little brighter in character, whereas the Sennheiser is a bit more pronounced in the low-mids. When you purchase through links on our site, we may earn an affiliate commission. So, are there any downsides? Technical features include two ultrathin diaphragms, a neodymium magnet, a dent-resistant carbon steel grille, a new internal pneumatic shock mount and diaphragm stabilization system, and integrated hydrophobic wind protection. FR curves are similar (KSM9 has less proximity effect; KMS105 a bit smoother HF bump) and both seem to allow a good singer to sound, well, good. In combination, these are designed to provide effective plosive and wind protection, as well as keeping breath moisture away from the capsule. The KSM9 has a dual-diaphragm design that provides accurate sound reproduction, and it also features a built-in shock mount to reduce noise and vibration. Always hold the vocal mic by the main body, and if theres too much sibilance, try holding it slightly to the side. Mic stands reduce any handling noise in the studio. Are some types more durable than other similar in the live performance category? Most industry standard desks or interfaces are capable of providing phantom power, which is sent through the XLR cable to the microphone. One of the very latest advances was introduced by American microphone manufacturers Shure at the Winter NAMM show at the start of this year, in the form of the worlds first dual-diaphragm dynamic handheld microphone, the KSM8. The standard voltage for phantom power is 48 V DC. This is also a good position for any sudden loud notes, or to shape, and tail off a long note. It is also available in both wired and wireless versions, which makes it ideal for use in a variety of settings. The Shure KSM9 runs best at this voltage, but can perform at voltages as low as 11 V DC. Comparing to other Shures, itis a great step up from their Beta 87A and miles ahead ofBeta 58A. 965 more sensitive than the KSM, for me uses about 1/3rd less gain. It is intended for vocal use. The CE Declaration of Conformity can be obtained from: www.shure.com/europe/compliance, Headquarters Europe, Middle East & Africa. In the meantime, I want to focus first on the development of Shures remarkable new microphone. From those a reviewed, Heil PR35 would be the closest match in how it sounds while also being studio worthy. The switchable polar pattern also gives you that extra control to tailor your sound to the vocalist and the environment. The entire midrange, which corresponds for vocal and most instrumental sounds is precise as never before. MusicRadar is part of Future plc, an international media group and leading digital publisher. The downside is that the KSM9 seems to pick up everything on stage.. but it doesn't color them, so doing some additive mixing, using the mic bleed as . With this taken care of, theres many advantages to using a condenser mic. This translates to greatly reduced level and tonality changes and less need to compress or EQ the mic in the FOH mixer, even if the users mic technique is less than perfect! Overall, the KSM8 appears to be a very impressive stage mic, both in terms of its practical sonic benefits, and in its innovative technology and sophisticated engineering. Here we really missed the added proximity oomph, particularly for the guitar. A good condenser will give any vocalist the air and sparkle required to effortlessly cut through the mix. It is the successor to the popular KSM8, and it offers several improvements over its predecessor. The Shure KSM9 is a fairly standard size and weight for a handheld stage mic. The low frequency behaviour is considerably more forgiving, providing a much bigger sweet spot. The microphones sensitivity is given as 1.85mV/Pa, which is comparable with most other stage mics an SM58 has a sensitivity of 1.88mV/Pa, for example, making it less than 0.2dB louder. There were four models in AKGs dual-capsule range, starting with the D200. You wont have the super resilience of a dynamic mic. https://www.youtube.com/playlist?list=PLlczpwSXEOyatBLoJPWeG2U8OUFx9AFC0 Shop Shure KSM8 Dualdyne Cardioid Dynamic Vocal Microphone at Sweetwater https://imp.i114863.net/WDLGBnShop Shure KSM9 Dual-Pattern Condenser Handheld Vocal Microphone at Sweetwater https://imp.i114863.net/0J3d0LIf youre wondering what video gear we use, check it out https://imp.i114863.net/n1z2DaSweetwaters Mitch Gallagher joins soulful singer Marcus Scott for a side-by-side shootout of Shures KSM8 dynamic mic and KSM9 condenser mic. . The sound engineer will normally mute the mic from the mixing desk when needed. A very similar mic to the KSM9. Traditional microphones confine the performer to a specific distance from the microphone. The Shure KSM9 is a well-known professional audio microphone, and the Neumann KMS 105 is a popular choice for home recording enthusiasts. The Shure KSM9 is a fairly standard size and weight for a handheld stage mic. Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you. Sweetwater's Mitch Gallagher joins soulful singer Marcus Scott for a side-by-side shootout of Shure's KSM8 dynamic mic and KSM9 condenser mic.

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